Stone Stories: The Youngest Member of the Group of Seven

After visiting both of Tom Thomson’s graves, I was inspired to visit the graves of all the members of the Group of Seven.

As a graphic designer, I have a little background in art history and I have long admired their work. Standing at Thomson’s first resting place at Canoe Lake sparked a desire to pay my respects to the others who also helped shape Canadian art.

So today on the blog, I want to share my visit to the grave of Franklin Carmichael in Orillia, Ontario.

Franklin Carmichael

Born in 1890 in Orillia, Franklin Carmichael showed early signs of artistic talent, which his mother quickly nurtured by enrolling him in music and art lessons.1 In his teenage years, he worked in his father’s carriage-making shop, where he honed his skills as a designer, striper, and painter.1 By 1910, Carmichael moved to Toronto to attend the Ontario College of Art, where he studied under renowned instructors.1

In April of 1920, Carmichael found his place within the emerging Group of Seven, joining artists like A.Y. Jackson, Lawren Harris, and J.E.H. MacDonald in their mission to capture Canada’s untamed wilderness.1 Despite being the youngest member of the group, Carmichael’s work, particularly his depictions of Ontario’s northern landscapes, were just as striking and bold as those of his peers.1 His travels to Lake Superior and the La Cloche Mountains were the backdrop for some of his most celebrated works, where watercolors became the defining feature of his style.1

Carmichael would go on to teach at the Ontario College of Art and later founded the Canadian Group of Painters, after the Group of Seven disbanded in 1933.1

Orillia Museum of Art & History

The Orillia Museum of Art & History sits in the heart of downtown Orillia and is housed in the historic Sir Samuel Steele Memorial Building. My mother and I parked the car on a side street and slowly walked along the sidewalk to the museum as we took in the views of the downtown core. It was a beautiful fall day when we visited, so the streets were bustling with activity.

We began our museum visit on the top floor and slowly made our way back down, through the myriad of exhibits. The museum’s collection intertwines local history with artistic expression.

When we visited, the Teachers and Their Enduring Impact—The Legacy of Jose Salas exhibit had just opened. This exhibit featured artwork by Jose Salas, an art teacher at the local college, as well as artwork from of his students.2 It was a lovely exhibit that showcased the profound influence a teacher can have on their student’s creative journeys.

While viewing this exhibit, I couldn’t help but think about Carmichael and what kind of influence he had on his students when he taught at the Ontario College of Art. Having taken quite a few art classes myself, I wondered what it may have been like to be taught by one of the famous Group of Seven.

The museum also has a permanent exhibit that features some of the more prominent figures from Orilla, like Gordon Lightfoot, Stephen Leacock, and of course—Franklin Carmichael.

After taking in everything the museum had to offer, it was time to make our way to the cemetery to pay our respects.

St. Andrews and St. James Cemetery

Franklin Carmicheal passed away in Toronto, on October 24, 1945, following a regular day of teaching classes. As he began his drive home, he suffered a heart attack in his car; he was only 55 years old.3

Carmichael is laid to rest in St. Andrews and St. James Cemetery in his hometown of Orilla. His final resting place is marked with an elegant grey granite stone, that is engraved with ivy and crosses. He is laid next to his beloved wife, Ada Lillian Went Carmichael, who passed away in 1964.

Buried alongside Carmichael in the family plot, are his daughter Mary Franklin Carmichael Mastin, and her husband. Mary dedicated much of her life to preserving her famous father’s legacy.4 She was also a writer and journalist, writing about nature and conservation.4 She passed away in 2012, at the age of 91 at St. Gabriel’s Villa, in Chelmsford, Ontario.4

In contrast to the busy streets, the cemetery was very quiet. My mother and I were the only visitors. As I stood at Carmichael’s graveside, I reflected on how his contributions to the art world have influenced and inspired countless generations of Canadian artists. I was a little surprised, though, to find that no flowers or grave goods had been left at his grave, something I had expected for an artist of his caliber. It made me think about how a person’s life story can sometimes be quietly forgotten, and the importance of remembrance.

I really enjoyed my visit to Orillia. Exploring Franklin Carmichael’s legacy was a unique opportunity to reflect on the power of art and how it connects us to the land and each other. From the Orillia Museum of Art & History to his gravesite, it was a lovely trip that gave me a deeper appreciation for Carmichael’s work and the lasting impact he had on Canadian art.

Thanks for reading!


References:

  1. Franklin Carmichael | The Group of Seven
  2. Teachers and Their Enduring Impact—The Legacy of Jose Salas | Orillia Museum of Art & History
  3. Franklin Carmichael | Roberts Gallery
  4. Mary Franklin Carmichael Mastin | Find a Grave

Stone Stories: The Voice of the Great Lakes

“They might have split up or they might have capsized
They may have broke deep and took water
And all that remains is the faces and the names
Of the wives and the sons and the daughters”1

These lyrics from Gordon Lightfoot’s iconic song The Wreck of the Edmund Fitzgerald have long been etched in the minds of listeners, who like me, have found themselves enthralled by Lightfoot’s masterful storytelling.

This song, along with many of his other hits, like If You Could Read My Mind and Sundown, have created the soundtrack for countless Canadians, evoking the beauty, melancholy, and vastness of our Canadian landscape.

Today on the blog, I want to share my experience from this past September. I had the opportunity to visit the Gordon Lightfoot Sculpture Park and his final resting place in his hometown of Orillia, Ontario.

Gordon Lightfoot

Gordon Meredith Lightfoot was born on November 17, 19382 in the small town of Orillia, the gateway to the Muskokas.3 From an early age, Lightfoot showed a natural talent for music, learning the piano, teaching himself to play drums, and later picking up the guitar.2 In 1957, Lightfoot left Canada, going to Los Angeles to study jazz orchestration at Westlake College of Music.2 After returning to Canada in the late 1950s, he began to sing folk songs and play guitar around Toronto.2

It didn’t take long for Lightfoot to make his mark on the Canadian music scene. His folk-infused ballads quickly captured the essence of the Canadian spirit. Throughout his career, Lightfoot released over 20 albums and was known for his blend of folk, country, and soft rock—a style uniquely his.2

Lightfoot received numerous prestigious awards throughout his music career, including multiple Juno awards, and was inducted into the Canadian Music Hall of Fame in 1986.2 He also earned honours like the Order of Canada, Order of Ontario, and a Governor General’s Performing Arts Awards.2 Lightfoot was recognized in the Canadian Songwriters Hall of Fame and received a Lifetime Achievement award from SOCAN and the Toronto Music Awards.2

One of my favorite Lightfoot songs is based on a real-life event, the tragic sinking of the S.S. Edmund Fitzgerald. The Wreck of the Edmund Fitzgerald, in my opinion, is one of his most famous and most haunting ballads.

The song is a tribute to all the lives lost in the shipwreck, on November 10, 1975. It’s estimated that between 7:20 and 7:30 p.m. on that fateful day, the ship vanished and sank with 29 men onboard.4

Gordon Lightfoot Sculpture Park

I knew my visit to Orillia would not be complete without a visit to the Gordon Lightfoot Sculpture Park and walking trail. We visited in late September, and the trees were just beginning to change. A perfect day for a walk.

The sculpture park is a beautiful and artistic tribute to Lightfoot’s music and legacy, celebrating both his achievements and his connection to the area. The park’s centerpiece is a striking, larger-than-life bronze sculpture of Lightfoot, sitting cross-legged with his guitar in hand. It captures him in his element, mid-song as his music comes alive around him, depicted on maple leaves that encircle him.
I took some time to reflect while standing before the statue. The park is not just a collection of art pieces, but a reflection of Lightfoot’s connection to the land, his music, and the people who grew up listening to his songs.

My mother and I were not the only visitors to the park that day. There were throngs of people walking the trails, many with large cameras in hand. I noticed they all took some time to admire the beautiful sculpture work and reflect on Lightfoot’s life and work as well.

I wondered if Lightfoot himself had known about this sculpture park. I was pleasantly surprised to see a large plaque that showed Lightfoot smiling as he stood beside his younger, bronze self. He was in attendance for the unveiling in 2015, and said humbly “I’m honoured, much more so than any of the honours I’ve received up to this point in time.”5

St. Andrews and St. James Cemetery

After walking the entirety of the walking trail loop, my mother and I made our way back to the car. We decided since the area was so nice that we would have our picnic lunch in the sculpture park, before heading to our next destination—the cemetery.

It was a short drive from the park to St. Andrews and St. James Cemetery. The cemetery was quiet and serene, offering beautiful views of the surrounding forest, although we were not the only living souls visiting the cemetery that day. There was an older couple who were also meandering through the cemetery paths.

Gordon Lightfoot passed away of natural causes, in a hospital in Toronto, at the age of 84.6 He was laid to rest in St. Andrews and St. James Cemetery in May of 2023, beside his mother and father. His mother, Jessie Vick Trill Lightfoot passed away in 1998 at the age of 88.7 His father, Gordon Meredith Lightfoot Sr. passed away in 1974 at the age of 63.8

The gravestone is simple, yet elegant—a testament to the quiet humility Lightfoot always embodied, despite his fame. The inscription simply reads “Together Forever”.

Visiting Gordon Lightfoot’s grave and walking the trails at the Sculpture Park in Orillia was a beautiful and memorable experience. I couldn’t help but think about how his music had been woven into the fabric of Canada’s history. More than just melodies, they’re stories that often capture the essence of the Canadian experience.

There is something special about visiting the final resting place of someone whose music has shaped the soundtrack of a country.

What is your favorite Gordon Lightfoot song?

Thanks for reading!


References:

  1. The Wreck of the Edmund Fitzgerald by Gordon Lightfoot | S.S. Edmund Fitzgerald Online
  2. Gordon Lightfoot | The Canadian Encyclopedia
  3. Location | City of Orillia
  4. The Tragedy | S.S. Edmund Fitzgerald Online
  5. Gordon Lightfoot sculpture unveiled in Orillia | Orillia
  6. Canadian singer-songwriter Gordon Lightfoot dead at 84 | NBC News
  7. Jessie Vick Trill Lightfoot | Find a Grave
  8. Gordon Meredith Lightfoot Sr. | Find a Grave

A Collection of Obelisks

I am in the midst of working on a blog post about my adventures searching for the grave of Tom Thomson in Algonquin Park. I’m hoping to have it up in the next week or two. In the meantime, I thought I would take a look at some Egyptian revival architecture that can sometimes be found in cemeteries, more specifically—obelisks.

Obelisks are Egyptian in origin, but became a popular Christian funerary symbol. They are now a common sight in most cemeteries. I have found quite a few in my cemetery travels and wanted to share some of them with you today. 

In Understanding Cemetery Symbols, Tui Snider notes that obelisks became popular symbols after Napoleon invaded Egypt in the late 1700s. An obelisk is thought to represent a ray of light, but it can also symbolize focused spiritual goals, with the wide base narrowing to a point, symbolizing the deceased reuniting with God at death, and the two becoming one. 

Different variations of obelisks can be found throughout a cemetery. For example, Truncated obelisks do not come to a sharp point at the top, but are flat or topped with another symbol like a cross, urn or an orb. 

Obelisks can sometimes be found at the center of a family plot, representing the family’s connection to God. They are particularly well suited for this, as there is generally a lot of room on all four sides of the stone to inscribe the names of family members. 

You might also find vaulted obelisks. These stones have points on all four sides at the top instead of coming to one point.


References:

  1. Understanding Cemetery Symbols: A Field Guide for Historic Graveyards by Tui Snider
  2. Stories in Stone: The Complete Guide to Cemetery Symbolism by Douglas Keister

A Collection of Crosses

Crosses have to be the most easily recognizable and common symbol found in cemeteries and funerary art. There are so many variations of this Christian religious symbol. Since crosses are so common, you may think if you have seen one, you’ve seen them all—but I would beg to differ!

Today I wanted to take a closer look at this funerary symbol and share some of the many crosses I have photographed over the years.

First off, let’s look at the difference between a cross and a crucifix, as they are not the same thing. A crucifix shows the body of Jesus nailed to it, while a cross does not.

A Latin cross is probably the most common cross found in cemeteries. This cross has no embellishments. It is sometimes called a Protestant cross, because it can represent Jesus as risen, instead of focusing on his suffering on the cross.

A Botonee cross has a trefoil, three lobes, at each end that symbolizes the holy trinity.

A Celtic cross is easily recognizable. It usually has a Celtic knot pattern engraved on it and also includes a nimbus, a distinctive circle that represents the union of heaven and earth. These crosses are often found at the graves of those with Irish heritage.

In the example below you can also see the letters IHS in the center. This is sometimes called a Christogram. There are a couple of different theories about what the letters IHS stand for. One theory is that it is an abbreviation of the Latin phrase “in hoc signs vines” (In this sign you will conquer), another line of thought is that it’s an abbreviation of the Latin phrase “Jesus Hominum Salvator” (Jesus, Saviour of Men). According to Doug Keister’s book Stories in Stone: A field guide to cemetery symbolism and iconography, these letters are the first three letters of Jesus’ name using the Greek alphabet.

A Congé cross is a variation of the Latin cross, where the ends of the arms flare out slightly.

A Glory cross, sometimes called a Rayed cross, has rays emanating from its center that symbolize the glory of God.

Below is an example of an Eastern crucifix on a white Latin cross. The Eastern cross is easily recognizable by its two horizontal cross bars, and one slanted one. This cross is a symbol of Eastern Orthodox religions. This one would be considered a crucifix, as it has the tortured body of Jesus nailed to it.

An Agony cross has sharp points at the end of each arm. This is said to represent the suffering or agony, that Jesus endured. This cross is sometimes called a pointed cross or a cross of suffering.

A Portate cross is a cross that is angled diagonally. It’s angled the way someone would carry it over their shoulder to drag it.


References: